An homage to both Jiří Trnka and Jiří Brdecka - two of the pioneers and innovators of Czech animation will be showcased by The Film Society of Lincoln Center and Comeback Company in April 2018.
Film review for the Czech animation feature The Oddsockeaters by Galina Miklínová.
The Trebon festival will honor one of the most prolific Czech animators and directors in its 2018 edition.
Hertfordshire-based animation studio works with Royal Observatory Greenwich to inspire young astronomers.
What comes out when a noir turns into a psychedelic experience? Watch the clip Big Noise from the band Lucinate.
Deadline 25 March to be part of the new Animarket section, the Anifilm Trebon (Czech Republic) job market of studios and schools.
Another political feature comes from Les Armateurs in 2018.
Paulina Ziolkowska won a special mention at the 68th Berlin Festival (competition: Generation KPlus) for her student film Bless You!
View the selection results of the Trebon festival in Czech Republic.
The Zagreb festival celebrates a Horror in Animation theme in its 2018 edition.
Olga Bobrowska reviews the most recent achievements of the Chinese animation independent and industry scene.
The troubles of dating come to the fore (always contradictory) in the delightful Deal Breakers short by Central Saint Martins M.A. students.
All the winners of the 37th Anima Brussels festival.
Highlights of the 22nd edition of Animac Lleida festival (22-25 Feb 2018), which is devoted to music and animation.
Observing yourself singing. Thomas Renoldner signs his experimental animation film, Sunny Afternoon.
The Dutch festival has a new artistic head.
The 2D animation feature competes at the Generation section of this year's Berlin Film Festival. Director Linda Hambäck talked to ZIppy Frames.
The inaugural OFFline Animation Residency is open for applications.
A highly potent story of outcasts ordered to be happy. Watch the brilliant short How Are You Today? by Sophie Markatatos.
A true story about two music legends directed by Heather Colbert for the new single by Mark E. Nevin.
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