An engrossing autobiographical family drama, with an eye towards adults, even though it details a young girl's story in Taiwan. Review for  Hsin-Yin Sung' film, On Happiness Road.

The latest feature film by Summer Wars director Mamoru Hosoda is a gentle family comedy of manners, which really takes off at the film's final reels.

US independent animation director Nina Paley makes the story of Exodus an overwhelming musical extravaganza, which still finds time to register its gender-based raison d' être.

The new feature film by Michel Ocelot (Kirikou and the Sorceress, Azur and Asmar) has the art and science aligned to save the world from gender-based catastrophe.

Personal journeys of lost cause mingle with vestiges of colonial power in the stand-out stop-motion animation feature by Emma De Swaef and Marc James Roels.

A film easy to like and harder to cherish. Review for the stop-motion Estonian feature film, Captain Morten and the Spider Queen.

Mr. Kropka delves critically into Pixar’s narrative and aesthetic strategies.

Film review for the Czech animation feature The Oddsockeaters by Galina Miklínová.

Review for the new experimental animation feature Apocalypsis by US director Eric Leiser.

When Kronenberg met The Fantastic Planet. Film review for the Spanish animation feature Birdboy:The Forgotten Children.

Ethel and Ernest feels unashamedly nostalgic, carefully researched and with a heart.

Benjamin Renner and Patrick Imbert play with fairytale conventions in a definitely funny, episodic animal story.