Eliane Gordeeff reviews the Portuguese animation feature Nayola by José Miguel Ribeiro.
Kropka reviews the psychological sci-fi Romanian animation feature by Calin Cazan, Mircea Toia, which has now been restored.
Vassilis Kroustallis reviews the animation feature film The Island by Anca Damian.
Vassilis Kroustallis reviews the animation documentary 'Flee' by Jonas Poher Rasmussen.
Vassilis Kroustallis reviews the Michaela Pavlátová animation feature My Sunny Maad, premiering at Annecy Festival 2021.
A conversation with Nadia Nakhlé, the director of the animation feature in development, Birds Don't Look Back.
Vassilis Kroustallis reviews the animation feature Calamity, A Childhood of Martha Jame Cannary by Rémi Chayé.
Review for the Croatian animation feature The Accidental Luxuriance of the Translucent Watery Rebus by Croatian animation filmmaker Dalibor Barić.
A feature animation film, The Nose or the Conspiracy of Mavericks by Russian veteran director Andrey Khrzhanovsky.
Vassilis Kroustallis reviews the latest Cartoon Saloon animation feature Wolfwalkers by Tomm Moore and Ross Stewart.
Film review for I Lost My Body (J'ai perdu mon corps) by Jérémy Clapin.
Review for the feature animation Klaus by Sergio Pablos.
Film review for The Prince's Voyage by Jean-François Laguionie and Xavier Picard.
Away is a prime 3D immersive experience without the use of sex, drugs or rock'n'roll. Read our review for the Latvian animation feature Away by Gints Zilbalodis.
Our film review for the Spanish animation feature Buñuel In the Labyrinth of the Turtles by Salvador Simo.
It's a post-modern heist film, full of references and short of surprises. Our review for Ruben Brandt, Collector by Milorad Krstic.
Denis Do portrays a piece in Cambodian history through the eyes of a mother looking for her child.
The 1950 Brest bloodied strike gets a cinematic, animated treatment by Oliiver Cossu and Les Armateurs.
The new feature film by Michel Ocelot (Kirikou and the Sorceress, Azur and Asmar) has the art and science aligned to save the world from gender-based catastrophe.
Personal journeys of lost cause mingle with vestiges of colonial power in the stand-out stop-motion animation feature by Emma De Swaef and Marc James Roels.
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