Jan Bultheel's feature film Cafard presents a sweeping, adamantly old-fashioned story of a distraught Belgian world champion boxer during WWI.

The new stop-motion film by Claude Barras presents a sweet but also poignant tale of children in need of care and respect.

Yeon Sang-ho's third feature is no less fierce and violent as his The King of Pigs and The Fake efforts, and wholeheartedly artistic at the same time.

Time is static, but mind keeps constantly moving in J.F.Laguionie's exemplary work on age and memory, Louise en hiver.

The animation documentary by Penny Lane tells a highly interesting story with honesty and flair, but does not always hit the right notes.

Charlie Kaufman & Duke Johnson sign a perfectly sweet and melancholic essay on identity and love in stop-motion.

The very crafty French/US co-production of The Little Prince can be a fine film at times, but keeps retelling its message in more ways than Saint d' Exupéry's essential simplicity would permit.

The French feature Mune is a revelation of what 3D computer animation can do with a children's story.

The latest offering from Studio Ghibli is sweet and good-natured, but it doesn't match its previous achievements.