The Glassworker still from the Pakistani animation feature

'The Glassworker' (2023): Annecy Film Review

Olivia Popp reviews the Pakistani animation feature 'The Glassworker'.

Living Large animation feature still

‘Living Large' (2024): Annecy Film Review

Olivia Popp reviews the animation feature ‘Living Large' by Kristina Dufková, screened at the Annecy Festival 2024.

Memoir of a Snail animation still

Memoir of a Snail (2024): Annecy Film Review

Vassilis Kroustallis reviews the stop-motion animation feature 'Memoir of a Snail' by Adam Elliot, presented at the 2024 Annecy Festival.

A Boat in the Garden animation feature still

'A Boat in the Garden' (2024): Annecy Film Review

Vassilis Kroustallis reviews the animation feature 'A Boat in the Garden (Slocum et moi) by  Jean-François Laguionie.

'Flow' animation feature still (2024)

'Flow' (2024) Film Review: A Gleaming, Fully Accomplished Cat-astrophy

Vassilis Kroustallis reviews the Cannes (Un Certain Regard) animation feature 'Flow' by Gints Zilbalodis.

Art College 1994 animation still

Art College 1994 : Film Review

Vassilis Kroustallis reviews the Chinese Liu Jian film, 'Art College 1994'.

Patlabor 2: The Movie still

Patlabor 2: The Movie (1993) Film Review: The Illusion of Peace

Giovanni Maria Seregni writes about the 1993 Japanese film 'Patlabor 2: The Movie'.

The Missing animation feature still

The Missing by Carl Joseph E. Papa (IFFR Review)

Olivia Popp reviews the queer Philippines animation feature 'The Missing' by Carl Joseph E. Papa, screened at Rotterdam Film Festival (IFFR).

White Plastic Sky animation feature film review

'White Plastic Sky' Review: It's The End of the World (And Our Relationship)

Vassilis Kroustallis review the post-apocalyptic animation feature 'White Plastic Sky' by Tibor Bánóczki and Sarolta Szabó.

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Zippy Frames is the premier online animation journal promoting European and Independent Animation animation since 2011

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